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About that:

This is where I try my best to discourage you to help cut down the competition. Totally selfish, I know. Oddly, I'm okay with that.
Seriously.
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If you can stop, do it.
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If you can't, read on...

 

This page is a work in progress. I'm not sure how I want to do this, I just know I like helping people.

Oops. In a rare moment of honesty, let me make this correction:

I like bossing people  around. Telling them what to do.

Offering sage words of wisdom. Does anyone else notice the redundancy of that last sentence?

Actually, I just like talking. So sue me.

But don't really. I  have no money.

I've got cute grandkids, but my children would be miffed if I bargained them away.

The grandkids, not the kids. The kids are too old to be worth much now.

Still, it's worth consideration, don't you think?

And yet I hear E-bay has rules discouraging that

if not downright outlawing it. Dagnabbit.

 

From this...

antiquetypewriter.jpg
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                                                     To this...

                                We've come a long way, baby!

Afraid of Rejection? Who isn't?
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From the time of our first play date, when some pompous three-year-old turned her back, snubbing our toys, leaving us out of the inner circle of the sandbox, rejection has been a part of our life.

 

At age three, most of us don’t have the savvy to shrug our shoulders and walk away, unperturbed.

 

Unfortunately the same is true at thirty.

 

I think it gets better around forty.

 

Fifty? Piece of cake….

 

But, here’s the deal. Rejection is a part of life. Not one of our favorite parts, but nothing we can’t move beyond, either.

 

The trick is, don’t take it personal. I know, easier said than done. When we hear ‘no’ in response to our work, our queries, proposals, manuscripts, agent pleas, etc., we visualize “I don’t want you.” Or, “I don’t like your stuff.” Or, worse yet, “I don’t like your stuff, I don’t want you, why on earth did you bother me, don’t quit your day job….”

 

Top salespeople are taught to view rejections as stepping-stones to the next opportunity. Everyone hears a certain percentage of ‘nos’ to every ‘yes’. It’s like kissing frogs to find a prince. There’s no getting around it; might as well pucker up and get it over with.

 

As the quintessential Tupperware lady years ago, I came upon a situation where a hostess was expecting my husband to demonstrate the party. I’d just had a baby, and Dave was kind enough to fill in so that my party count wouldn’t suffer while I re-gathered my strength. (I had a three-year-old, a two-year-old and a newborn…. Re-gather strength??? Yeah, right….!)

 

When I showed up, the woman was livid. Rude. Treated me like an outcast. I was not only hurt and confused, but taken aback by the strength of her feelings. Her reaction made me wonder just why she was so distraught that I’d arrived to demonstrate the party, instead of the happily married, father of three she was expecting. Hmmm…..

 

Leaving the party, I wished her well, and hoped I’d never see her again.

 

I almost didn’t.

 

Later that week she attempted suicide. I found out afterward it was her third attempt.

Here’s the point: I had nothing to do with the rejection. She was at a bad time in her life, had no faith, no strength to hold on to. Her anger and rejection weren’t aimed at me; the feelings were there and I got in the way.

 

I’m not suggesting that your agents and editors are contemplating their own early demise, but anyone can have a bad day, or a bad week. I know plenty of people who have bad months. But, regardless of that, your work, once in front of them, gets your name out there. Gives them a chance to say no. And the opportunity to say yes.

 

You don’t know if you don’t ask. And I know it’s not easy. I’ve got the Stephen King-type nail in the wall, holding my steady stream of rejections. We’re getting close to needing a longer nail! Either that, or a second one. (sigh)

 

But that’s okay. With each one I learn more about the market. Its terminology, its idiosyncrasies, the inner sanctums of editors and agents. How they network amongst themselves. Oh, yeah, I’m learning.

 

And knowledge is powerful. Your queries and proposals become tighter, more targeted. Lurking on computer loops, you learn the names of insiders, reading and learning, figuring out whom to approach in a sea of random names published in a magazine that may or may not have done its homework (often, not). And you keep asking until someone says yes. Or, maybe. Show me more. Send me a complete.

 

It takes baby steps to learn to walk. Don’t be afraid to let go of the couch and solo on your own. When that toddler falls, he may cry. But the fall doesn’t keep him down. He dusts his diapered butt, grabs the corner of a table and hauls himself back up, because failure isn’t in his vocabulary.

 

Don’t let it be in yours. Ask, ask, ask. Take the time, precious as it is, to market yourself and your work. What’s the worst that can happen?

 

Someone says no. But then, they’re one of thousands. Believe in yourself, in your work and in your worth as a writer. Don’t be afraid to learn the hard way, as long as you learn.

 

Postage is a small price to pay for the chance for success, and pride is replenishable. Take the chance. Get it out there. Take a few hits for the team.

 

Then listen for the phone. It could be that editor or agent, wanting to know more. Or an assistant, requesting further copy. You never know.

 

But I guarantee you, if you don’t take the chance, risk the rejection, you’ll never know the joy of the phone call.

 

‘Cause no one’s got your number.